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Paulo Szot’s swoon-inducing evening at the Royal Room

By Leslie Gray Streeter   |  Concert Reviews, Live Shows, Music, Music Feature  |  February 08, 2012

Some of the best songs in the world are about love, and since Broadway songs are sometimes better than others, Broadway’s love songs tend to have even more of the stuff that makes a tune memorable – an emotional back story, usually about regret and loss and star-crossed happenings which may or may not be resolved by the time the curtain falls.

Tony winner Paulo Szot sang two of the greatest, Camelot’s heartbreaker If Ever I Would Leave You and This Nearly Was Mine, his show-stopper from South Pacific, during his opening night last week at the Royal Room at the Colony Hotel in Palm Beach, where he appears through Saturday .

Those rich, classic songs, interpreted with Szot’s perfectly effortless baritone, sounded as if they were being sung for the first time, as if Szot was a knight pledging his hopeful, doomed commitment to someone he shouldn’t love, or a devastated lover recounting the romantic dream he’d realized and lost.

Szot, a dashing figure with classic matinee idol looks and a reserved yet warm smile, sang as if the objects of that unrealized devotion had just slipped through the doors of the Royal Room and silently into the ether on Worth Avenue, as all the exquisite pain lingered. Devastating and cathartic for the singer, deliciously transcendent for the audience.

Yeah, it was that good.

Best bets: Broadway/opera star Paolo Szot, more | Directions, invite a friend

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Local funny guy mixes Adele, politics for “Someone Other Than Newt”

By Leslie Gray Streeter   |  Local music, Music, Music Feature, Music News, Pop Shop, Stand-up Comedy  |  January 29, 2012

Frustrated with the current crop of Republican presidential hopefuls? You’re not alone. But local actor Frank Licari, director of the Atlantic Academy of the Arts and host of televised talent competition “Recreating a Legend,” has taken his angst to song. And like many current “American Idol” contestants, he’s involved Adele.

http://www.youtube.com/embed/bVN6RFis7E8

Behold “Someone Other Than Newt,” in which Frank gets all moody and black and white-musey in front of a body of water, and ponders the possibility that someone besides Mr. Gingrich get the nomination. It’s funny, timely and calls to mind some of Weird Al’s best wordplays. Funny knows no ideology.

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Broncos meet Brat Pack era in John Parr’s ‘Tim Tebow’s Fire’

By Leslie Gray Streeter   |  Album Reviews, Gossip, Music, Music Feature, Music News, Pop, Pop Shop  |  January 11, 2012

As an aging Gen-Xer who as of late has become something of a pop culture curmudgeon — “Stop remaking our movies and songs and get your own, hipstersnappers! And stay off my lawn or I’ll Wang Chung your butt!” — I wa slightly fearful when my editor hipped me to “Tim Tebow’s Fire,” ’80′s singer John Parr’s Tebow-specific update of his own Number 1 hit “St. Elmo’s Fire.”

(Cultural note for those under 35 — St. Elmo’s Fire was a movie starring a bunch of then-young actors dubbed The Brat Pack, including Charlie Sheen’s brother, Ashton Kutcher’s soon-to-be ex-wife, Meredith Grey’s dead stepmother from Grey’s Anatomy and Chris Traeger from Parks and Recreation. It was about the difficulty of being middle-class, gorgeous Georgetown graduates in a Reagan-era world that just didn’t give breaks to people like them. Snerk.)

Apparently Parr, whose other big hit was the inspirationally smutty “Naughty Naughty” (Sample lyrics: “Naughty naughty, cute and horny, t-t-t-tease me”) was inspired by Tebow’s convictions and the way he plays them out on the field and off. So he adapted “St. Elmo’s Fire,” whose original version was inspired by Canadian athlete Rick Hansen, who traveled the world in his wheelchair to bring attention to spinal cord injuries. He swapped out some of the lyrics for more appropriate Tebow-esque phrases, using “All I need is my Broncos team” rather than “All I need is a pair of wheels.”
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A bitter Gen-Xer reviews the “Glee” holiday episode

By Leslie Gray Streeter   |  Glee, Holidays, Music Feature, Music News, Pop Shop, TV, Winter holidays, columnists  |  December 13, 2011

Chewbacca would have told these children the meaning of "Do They Know It's Christmas" if they'd just asked. So sad.

OK, “Glee.” Enjoying the holiday special, and especially the Linus-esque touch of having the Irish kid read the Biblical Nativity story … but this cranky Gen-Xer asks that if the bright shiny little girls sing The Waitresses’ “Christmas Wrapping,” you can’t just sing the first verse about the girl not ever meeting the guy. The end where she meets him again in the store is the point. Don’t steal our stuff if you can’t get it right.

And another thing … you CANNOT smile during the most guilt-inducing parts of “Do They Know It’s Christmas?” That song is all about Western privilege and guilt. Grinning while singing “There won’t be snow in Africa this Christmastime” makes it appear that you aren’t paying attention to the words you’re singing, and that’s just silly. So leave my generational toys in the box if you don’t know how to treat them.

On an upbeat note…LOVED the festive holiday sweaters. But just be more careful. And stay off my lawn.

Love,

A Bitter Aging Former Hip Person

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Beverly McClellan rocks ‘The Voice’, a new album

By The Miami Herald   |  Music Feature  |  December 07, 2011

By HOWARD COHEN

Beverly McClellan’s brand new album, Fear Nothing, features the sort of scorching blues-based rock you just don’t hear on Top 40 radio. The Fort Lauderdale musician has surrounded herself with musicians from bands led by the likes of Etta James, Bonnie Raitt and Robert Cray, and she shares a songwriting credit with Keb’Mo, all to give her music that authentic, timeless rootsy rush.

Oh, and she’s also out and proud, bald, adorned with tattoos (an orca and a bear) that speak to her part-Native American heritage, and she’s been gigging around Broward bars for some 20 years, playing her blend of raw Etta-Janis-Bonnie inspired music ever since she bolted from her job as a dental assistant.

So what was she doing on NBC’s mainstream singing competition, The Voice?

McClellan, 42, not only agreed to try out for the reality series when it held auditions in Miami last year but also vaulted into the first season’s Final Four under the mentorship of judge Christina Aguilera.
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Boca’s Don Kirshner finally elected to Rock Hall months after death

By Leslie Gray Streeter   |  Arts and Culture, Awards, Boca Raton, Breaking news, Celeb Stalker, Local music, Music, Music Feature, Music News  |  December 07, 2011

Don Kirschner was voted into the Rock N Roll Hall of Fame on Tuesday; Rod Stewart, already in the Hall as a solo artist, gets in a second time as a member of the band The Faces.

Nearly a year after his death, legendary producer Don Kirshner can boast a credit he wanted but never achieved in life: Rock and Roll Hall of Fame inductee.

It was announced Tuesday that Kirschner, creator of “The Monkees,” “Don Kirshner’s Rock Concert,” Brill Building mainstay and the man who helped introduce Neil Diamond, Carole King, The Eagles and others to wide audiences, would received the Ahmet Ertegun Award, a non-performer classification that in the past has been awarded to Clive Davis, Berry Gordy Jr. and David Geffen.

 Jack Wishna, CEO of Rockren, a company Kirshner was CEO of at the time of his death, called the producer “one of rock and roll’s greatest treasures” and noted that he was a “giant among his contemporaries, unwavering in his commitment to talent and excellence.”

 ”While we will miss him and his quick wit and infectious laugh, his footprint on rockcityclub.com and the world of music will remain forever. We are so happy for his wife Sheila and his family that the Rock and Roll Hall of Fame recognizes our friend and partner with this incredible honor” Wishna added

 Also headed to the hall: Part-time Palm Beach resident Rod Stewart, who is already in as a solo artist but is now being inducted as part of The Faces.
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Janet Jackson pays tribute to brother, city at Miami’s Fillmore

By Leslie Gray Streeter   |  Concert Reviews, Dance, Live Shows, Music, Music Feature, Pop, R&B  |  December 06, 2011

Janet Jackson performs at the Fillmore Miami Beach. (Howie Grapek / GPO)

The concert: Janet Jackson’s “The No. 1″‘s

Where and when: Miami Beach’s Fillmore, Monday Dec. 5

What happened: There were times during Janet Jackson’s energetic, nostalgic, slow-jamming, booty-shaking cap to her current North American tour where you looked at the young dancers accompanying the singer on involved routines for songs like “Rhythm Nation” and “Together Again” and think:

• Wow! Janet Jackson at 45 moves like she’s 20 years younger! Go Janet!

• The majority of the dancers might not have been born when “What Have You Done For Me Lately” and “Nasty Boys” were released!

• Who knew that “Nasty Boys” would stand the test of time?

Photos: Janet Jackson at the Fillmore

Let’s get this out of the way — Janet is often accused of lip-synching, which a lot of singers who do a lot of dancing sometimes do. Janet has said that she is singing live on this tour, and for most of the show, that seemed evident, particularly in the ballad section. But it’s also clear that she was singing, at least early in the show and during the more kinetic numbers, over a backing track.
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Singing surfers play the Speakeasy in Lake Worth

By Janis Fontaine   |  Country, Folk, Music, Music Feature  |  November 21, 2011

William Kimball’s parents raised him to be a free spirit, so it was hardly surprising when he became a professional surfer and began touring the world.

But Kimball’s lifelong love of music has taken him on a new kind of tour: Kimball joined forces with another singing surfer, three time world champion Tom Curren, and their eight-stop Florida tour lands at the Speakeasy in Lake Worth on Wednesday.

As the story goes, in 1994, Kimball went to see Curren, one of his surfing heroes, perform in Pompano Beach. Whether he just jumped on stage or was invited is in dispute. What isn’t is this: Kimball closed the show with Curren, and boarded Curren’s tour bus the next day as a member of the band.

That kind of course correction would be impossible for many of us. But for Kimball, a kid who had tremendous personal freedom and unwavering support since childhood, the life of a modern day vagabond seemed perfectly natural.

“My father is the reason I am who I am,” Kimball said by phone from Orlando about his father, Terry Kimball of Jupiter. “He got me interested in surfing and diving at a young age, and he gave me my first guitar. He always encouraged me to follow the things I was passionate about. I was fortunate to have parents that said ‘Go for it.’”

His love of music came mostly from his mother, Nina Kimball of Juno Beach.
“My mom would always sing to the radio in the car,” Kimball said. “I used to lean forward from the backseat so I could hear her. Her voice was so good she could have had a career as a singer, but she put it all aside to bring up us kids.”

So it was natural that some of Kimball’s musical influences — Cat Stevens, Simon and Garfunkel, Peter, Paul and Mary — come from that era when his mother chose what got played on the car radio. Later, Kimball would discover his own vocal heroes.

“I learned how to sing from The Police Outlandos d’Amour. I’d sing it over and over again. Then, Queen and Ozzy Osborne. A weird mix. But classical music inspired me too: Mozart, Haydn, Brahms.”

Growing up near the beach, Kimball fell in love with the ocean early. “We were 7 or 8 years old, out on our bikes riding around all day. We’d catch all our own food, crab and sand perch, and cook it outside. We’d camp out for the weekend.” He made up his first song — Fred the Frog on the Log — around that age, but he was 19 before he wrote his first serious song.

Kimball continued playing music, bouncing around stylistically from rock to rap to punk, but in private, he was writing songs he calls his “songs at the end of the bed.” They’re the songs he wrote for himself, to make sense of the things on his mind. Kimball never planned to sing those songs in public, but a friend heard them and convinced him to get them out there. So, Kimball, now 41, released Along for the Ride, in September, with 11 songs at the end of the bed. Now that they’re out, they seem to have their own momentum.

This summer, Kimball found himself in Martha’s Vineyard, Mass., playing music in Carly Simon’s barn with Simon and Ben Taylor, Simon’s son with James Taylor. When Simon played Kimball’s song Sorry to him, he marveled at the legs his music had grown. Then, he got a call asking if they could use the title cut in the Sarah Jessica Parker movie, I Don’t Know How She Does It.

“Just another one of those things,” Kimball said. “It’s crazy. They got a hold of the CD and they liked the music.”

The music is homespun and sweet, acoustic and guitar-driven, lyrical and introspective. “I’ve had people say, I can’t quite call you country, but I can feel what’s being said, like a country song.”

The similarity is more that both Kimball and country music draw from the same pool: the folk/pop singer songwriters of the ‘60s and ‘70s — James Taylor, Jackson Browne, Elton John, Dan Fogelberg, even the Beatles.  

“I start with a melody,” Kimball explains. “I’ll play the music and all of the sudden I’ll hear something and I’ll just sing whatever comes out. It’s like painting with a brush that’s just doing its own thing. I’m fortunate enough to have an open channel I can tune into, and these words, I don’t know where they come from, just come. They’re personal and they’re from me, but they’re not about me.”

Kimball is nothing if not modest, so he finds it out of character to talk about himself, but otherwise the life of a musician suits him. But some things take a little getting used to. “The craziest thing about it might be that people want my autograph!”

If you go:
Tom Curren with special guest William Kimball
When: 10 p.m. Wednesday, Nov. 23
Where: Speakeasy Lounge, 129 N. Federal Hwy, Lake Worth
Info: (561) 791-6242; speakeasylakeworth.com.

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Weekend performance snapshot: Avery Sommers, Babyface, Craig Ferguson

By Leslie Gray Streeter   |  Concert Reviews, Jazz, Live Shows, Local music, Music, Music Feature, Pop, R&B, Stand-up Comedy  |  November 21, 2011

Leslie's weekend fun included shows by Avery Sommers, Babyface and Craig Ferguson.

The show: Avery Sommers at The Royal Room at the Colony Hotel, Palm Beach

When: Friday, although she’ll be there next weekend as well.

What happened: Broadway and stage star Sommers (“Ain’t Misbehavin’,” “Chicago”) is by now a frequent headliner at the Royal Room, which doesn’t mean that she’s just phoning in the same show all the time. She’s not — every song the gloriously big-voiced singer wraps her gifted pipes around is a passionate treat, whether she’s revisiting her stage career (a rollicking “Ain’t Misbehaving” and the saucy “When You’re Good To Mama” from Chicago), getting patriotic (a lovely version of Lee Greenwood’s “God Bless The U.S.A.”) or getting her disco on with the buoyant fun of “I Will Survive.”

Part of the trick of a good cabaret singer is to mix well-chosen songs with a confident, comfortable rapport with the audience. And Sommers is, as always, the very definition. She tells a fun story, and comes down into the crowd a few times to get up close and personal. She looks like she’s having fun, and that helps the audience to as well.
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Spotify playlist highlights best, worst time periods of Billboard era

By Andrew Abramson   |  Music Feature  |  October 14, 2011

Our writer's personal preference for top rock era is between the years 1967 and 1972, which featured artists like The Beatles, The Roling Stones and The Doors all putting out great songs. (Beatles photo courtesy Apple Corps Ltd.; Stones, Doors pictures courtesy AP)

More: Is Spotify music’s next evolutionary step?

There’s plenty to love about being a new Spotify user. Besides listening to all the new albums the week they’re released, I’ve been having a blast checking out artists I’ve long forgotten.

As a kid in the 1980s, I used to check out Billboard’s year-end cassette tapes from the library, featuring the top 10 songs from any particular year. The Billboard pop chart is what it is — the most popular, radio-friendly songs that in no way represents the best tunes out there.

Jimi Hendrix, Bob Marley, Hank Williams Sr. and The Grateful Dead never made it to Billboard’s Hot 100 year-end list (although covers of Marley and Williams songs made the list). Dylan charted just three times, with other artists having more chart success with Dylan songs.

But music moves society, and the Billboard year-end charts, dating back to 1946, give us a glimpse of what society felt like each year.

So I set out to make the ultimate playlist – a single list of every Billboard Hot 100 song available on Spotify from 1946 (when the chart debuted at 30 songs) to 2010. That’s one list with more than 5,000 hit songs, and I’ll continue to update it each year.

To access this playlist, start by downloading Spotify . When you have the program open, check out my playlist on sharemyplaylists.com. It’s an outstanding web site that allows users to post their playlists, giving you access to many lists outside your circle of friends.

Once the page loads (it will take a minute the first time), click “play.” When the playlist is imported into Spotify, click “subscribe” and you’ll have it forever.
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