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Singing surfers play the Speakeasy in Lake Worth

By Janis Fontaine   |  Country, Folk, Music, Music Feature  |  November 21, 2011

William Kimball’s parents raised him to be a free spirit, so it was hardly surprising when he became a professional surfer and began touring the world.

But Kimball’s lifelong love of music has taken him on a new kind of tour: Kimball joined forces with another singing surfer, three time world champion Tom Curren, and their eight-stop Florida tour lands at the Speakeasy in Lake Worth on Wednesday.

As the story goes, in 1994, Kimball went to see Curren, one of his surfing heroes, perform in Pompano Beach. Whether he just jumped on stage or was invited is in dispute. What isn’t is this: Kimball closed the show with Curren, and boarded Curren’s tour bus the next day as a member of the band.

That kind of course correction would be impossible for many of us. But for Kimball, a kid who had tremendous personal freedom and unwavering support since childhood, the life of a modern day vagabond seemed perfectly natural.

“My father is the reason I am who I am,” Kimball said by phone from Orlando about his father, Terry Kimball of Jupiter. “He got me interested in surfing and diving at a young age, and he gave me my first guitar. He always encouraged me to follow the things I was passionate about. I was fortunate to have parents that said ‘Go for it.’”

His love of music came mostly from his mother, Nina Kimball of Juno Beach.
“My mom would always sing to the radio in the car,” Kimball said. “I used to lean forward from the backseat so I could hear her. Her voice was so good she could have had a career as a singer, but she put it all aside to bring up us kids.”

So it was natural that some of Kimball’s musical influences — Cat Stevens, Simon and Garfunkel, Peter, Paul and Mary — come from that era when his mother chose what got played on the car radio. Later, Kimball would discover his own vocal heroes.

“I learned how to sing from The Police Outlandos d’Amour. I’d sing it over and over again. Then, Queen and Ozzy Osborne. A weird mix. But classical music inspired me too: Mozart, Haydn, Brahms.”

Growing up near the beach, Kimball fell in love with the ocean early. “We were 7 or 8 years old, out on our bikes riding around all day. We’d catch all our own food, crab and sand perch, and cook it outside. We’d camp out for the weekend.” He made up his first song — Fred the Frog on the Log — around that age, but he was 19 before he wrote his first serious song.

Kimball continued playing music, bouncing around stylistically from rock to rap to punk, but in private, he was writing songs he calls his “songs at the end of the bed.” They’re the songs he wrote for himself, to make sense of the things on his mind. Kimball never planned to sing those songs in public, but a friend heard them and convinced him to get them out there. So, Kimball, now 41, released Along for the Ride, in September, with 11 songs at the end of the bed. Now that they’re out, they seem to have their own momentum.

This summer, Kimball found himself in Martha’s Vineyard, Mass., playing music in Carly Simon’s barn with Simon and Ben Taylor, Simon’s son with James Taylor. When Simon played Kimball’s song Sorry to him, he marveled at the legs his music had grown. Then, he got a call asking if they could use the title cut in the Sarah Jessica Parker movie, I Don’t Know How She Does It.

“Just another one of those things,” Kimball said. “It’s crazy. They got a hold of the CD and they liked the music.”

The music is homespun and sweet, acoustic and guitar-driven, lyrical and introspective. “I’ve had people say, I can’t quite call you country, but I can feel what’s being said, like a country song.”

The similarity is more that both Kimball and country music draw from the same pool: the folk/pop singer songwriters of the ‘60s and ‘70s — James Taylor, Jackson Browne, Elton John, Dan Fogelberg, even the Beatles.  

“I start with a melody,” Kimball explains. “I’ll play the music and all of the sudden I’ll hear something and I’ll just sing whatever comes out. It’s like painting with a brush that’s just doing its own thing. I’m fortunate enough to have an open channel I can tune into, and these words, I don’t know where they come from, just come. They’re personal and they’re from me, but they’re not about me.”

Kimball is nothing if not modest, so he finds it out of character to talk about himself, but otherwise the life of a musician suits him. But some things take a little getting used to. “The craziest thing about it might be that people want my autograph!”

If you go:
Tom Curren with special guest William Kimball
When: 10 p.m. Wednesday, Nov. 23
Where: Speakeasy Lounge, 129 N. Federal Hwy, Lake Worth
Info: (561) 791-6242; speakeasylakeworth.com.

Posted in Country, Folk, Music, Music FeatureComments (0)

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Weekend performance snapshot: Avery Sommers, Babyface, Craig Ferguson

By Leslie Gray Streeter   |  Concert Reviews, Jazz, Live Shows, Local music, Music, Music Feature, Pop, R&B, Stand-up Comedy  |  November 21, 2011

Leslie's weekend fun included shows by Avery Sommers, Babyface and Craig Ferguson.

The show: Avery Sommers at The Royal Room at the Colony Hotel, Palm Beach

When: Friday, although she’ll be there next weekend as well.

What happened: Broadway and stage star Sommers (“Ain’t Misbehavin’,” “Chicago”) is by now a frequent headliner at the Royal Room, which doesn’t mean that she’s just phoning in the same show all the time. She’s not — every song the gloriously big-voiced singer wraps her gifted pipes around is a passionate treat, whether she’s revisiting her stage career (a rollicking “Ain’t Misbehaving” and the saucy “When You’re Good To Mama” from Chicago), getting patriotic (a lovely version of Lee Greenwood’s “God Bless The U.S.A.”) or getting her disco on with the buoyant fun of “I Will Survive.”

Part of the trick of a good cabaret singer is to mix well-chosen songs with a confident, comfortable rapport with the audience. And Sommers is, as always, the very definition. She tells a fun story, and comes down into the crowd a few times to get up close and personal. She looks like she’s having fun, and that helps the audience to as well.
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Posted in Concert Reviews, Jazz, Live Shows, Local music, Music, Music Feature, Pop, R&B, Stand-up ComedyComments (1)

Spotify playlist highlights best, worst time periods of Billboard era

By Andrew Abramson   |  Music Feature  |  October 14, 2011

Our writer's personal preference for top rock era is between the years 1967 and 1972, which featured artists like The Beatles, The Roling Stones and The Doors all putting out great songs. (Beatles photo courtesy Apple Corps Ltd.; Stones, Doors pictures courtesy AP)

More: Is Spotify music’s next evolutionary step?

There’s plenty to love about being a new Spotify user. Besides listening to all the new albums the week they’re released, I’ve been having a blast checking out artists I’ve long forgotten.

As a kid in the 1980s, I used to check out Billboard’s year-end cassette tapes from the library, featuring the top 10 songs from any particular year. The Billboard pop chart is what it is — the most popular, radio-friendly songs that in no way represents the best tunes out there.

Jimi Hendrix, Bob Marley, Hank Williams Sr. and The Grateful Dead never made it to Billboard’s Hot 100 year-end list (although covers of Marley and Williams songs made the list). Dylan charted just three times, with other artists having more chart success with Dylan songs.

But music moves society, and the Billboard year-end charts, dating back to 1946, give us a glimpse of what society felt like each year.

So I set out to make the ultimate playlist – a single list of every Billboard Hot 100 song available on Spotify from 1946 (when the chart debuted at 30 songs) to 2010. That’s one list with more than 5,000 hit songs, and I’ll continue to update it each year.

To access this playlist, start by downloading Spotify . When you have the program open, check out my playlist on sharemyplaylists.com. It’s an outstanding web site that allows users to post their playlists, giving you access to many lists outside your circle of friends.

Once the page loads (it will take a minute the first time), click “play.” When the playlist is imported into Spotify, click “subscribe” and you’ll have it forever.
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Is Spotify the next evolutionary step for music?

By Andrew Abramson   |  Music Feature  |  October 14, 2011
Image representing Spotify as depicted in Crun...

Image via CrunchBase

More: Spotify playlist highlights best, worst time periods of Billboard era

Every so often, a revolutionary idea transforms the music industry. Mass-produced records in the 1930s brought music to living rooms. Blank cassette tapes in the 1980s turned music fans into producers.

Napster, and its illegal brothers and sisters like Kazaa, gave us a glimpse in the 2000s at how the Internet would change music forever. But it nearly derailed the industry. Why buy an album for $15 a pop when you can steal it with minimal to no risk?

Apple, Amazon and others have attempted to legitimize the Internet music industry, allowing consumers to buy songs for under a dollar and full albums for less than $10. But in a recession with no end in sight, paying for music isn’t a priority for many fans when they can still illegally download a full album for free in less than five minutes.

Enter Spotify, the first company to understand that the future of music isn’t in buying songs or albums. Spotify, a downloadable program, puts music past and present at your fingertips. A vast majority of the record companies’ catalogs are available by doing a simple search, and it could save the music industry.
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New Found Glory comes home with brand-new album in tow

By Caitlin Christophel   |  Music Feature  |  October 12, 2011

New Found Glory -- Jordan Pundik, Chad Gilbert, Ian Grushka, Cyrus Bolooki and Steve Klein -- perform at Revolution Live on Sunday night. (Cindy Ord / Getty Images)

Times are busy for South Florida natives New Found Glory.

The group released its seventh studio album, Radiosurgery, last week. They began their “Pop Punk’s Not Dead Tour” just days after the release.

It has been two years since their last studio album, Not Without A Fight. They started writing the songs for Radiosurgery while on the “Honda Civic Tour” in 2010. The entire process of writing, recording, and finalizing the album took about four months.

“The waiting time for the record to come out builds it up for when we play it live,” said lead guitarist Steve Klein in a telephone interview. “It makes it a lot of fun.”

Directions, nearby food for New Found Glory’s Pop Punk’s Not Dead tour stop at Revolution

The group has been promoting Radiosurgery while touring by playing new songs off the album at each show. And fans are already singing back the lyrics!

They’ll be performing on Sunday in front of hometown fans at Revolution Live in Fort Lauderdale, mere minutes from where they grew up, Coral Springs.
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Brandy: ‘Fame Can Make or Break You’

By Parade   |  Celeb Stalker, Music Feature  |  September 28, 2011

Grammy-winning singer Brandy is joining the world of talent-finding reality TV, becoming part of the all-star lineup of mentors on The Hub’s new music series Majors & Minors.

The 32-year-old singer (who also servers as producer on the show) told Parade.com why she wants young performers to learn from the ups and downs of her own career.


On what sets Majors & Minors apart.

“There’s not really a winner or a loser. Everybody is celebrated for their artistry. Families can watch this show together and really be inspired by these very talented artists. They are amazing. I was blown away when I first met them. I was going there to mentor them, so I had no idea that I was going to be just as inspired. Those kids have changed my life already.”
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Posted in Celeb Stalker, Music FeatureComments (0)

‘X Factor”s questionable ‘reality’: Simon Cowell insults local single mom on video

By Leslie Gray Streeter   |  Local music, Music, Music Feature, The X Factor  |  September 23, 2011

Earlier today I called “The X-Factor,” FOX’s underwhelming talent competition, on what I thought had to be fishy editing to make Broward mother/daughter duo Dreamgirlz look like non-talents, and the mom’s brother look like a rageaholic, because I’ve heard them both sing in person and knew they were fabulous.

Turns out I was right. Charleze, the mother of the duo, left a long, sweet comment on the blog confirming that not only were they great, but that the audience loved them, and that the judges’ comments were not only inconsistent with reality, but were in some points mean. Simon Cowell can clearly be telling the 15-year-old daughter that her father must have let them because he couldn’t stand to be in the house with them screaming.

‘The X Factor’ Miami spot misleading, whole show underwhelming

First of all, they’re wonderful. They not only got a standing ovation, but the audience chanted “One more song! One more song!” It’s madness! And who says that to a kid? TO A KID? That’s below the belt, Cowell. And to hear L.A. Reid, who I used to love, tell them that even if they sang separately, as Paula Abdul suggests, that they’d never sound better … maddening. Because he has to know he’s lying to the camera.

Ditto Nicole Scherzinger, who says “You didn’t connect with the audience,” as the audience screams “Yes they did!” I think that the reason the video of them singing was edited so much was so the show could lie to the TV audience that they were bad.

It’s pretty awful. But Charleze was gracious about it on the blog, that any exposure was good exposure. She’s a lot nicer than I am.

Good luck wherever you go, ladies. Sorry this happened. And while, again, contestants on these shows know that editing can create a whole new reality … it’s pretty scuzzy to do this to a kid.

Did Dreamgirlz deserve better?

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Posted in Local music, Music, Music Feature, The X FactorComments (13)

‘The X Factor’ Miami spot misleading, whole show underwhelming

By Leslie Gray Streeter   |  Local music, Music, Music Feature, TV, The X Factor  |  September 23, 2011

UPDATE: Questionable reality on ‘X Factor’: Simon Cowell insults local mom on video

Well, you gotta hand it to Fox – they’ve spared no promotional expense trying to convince the world that the American version of Simon Cowell’s “The X Factor” was the second coming of entertainment, that it’s a superior product to every other talent-stravaganza because of its focus on the entire star-making package.

And so far, it seems that the package is sorta phony baloney, over-hyped, melodramatic to an extent that would embarrass a telenovela, and, at least in one case, meanly misleading in its editing. I am refering to Dreamgirlz, a mother-daughter duo from Broward County who was seen singing Heart’s “Barracuda” in a choppy segment that showed about three seconds of the song from their Miami audition. All we saw was the judges saying that they didn’t think the act would sell, the dignified reaction of the ladies, and the undignified freakout of one of their family members, who got the usual bleeped-out tirade treatment as he stormed off.

The thing is, I kinda feel him that the whole deal was rigged, because if the Dreamgirlz sounded anything like they have when I’ve personally heard them, they weren’t rejected because of their singing. I’m gonna go out on a limb and say it – they were rejected because they’re both overweight and not cookie-cutter.

BECAUSE THEY’RE AWESOME.
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Return to Forever grooves to jazz’s infinite variations

By Jonathan Tully   |  Boca Raton, Jazz, Music Feature, arts-and-culture  |  September 09, 2011

Return to Forever -- Jean-Luc Ponty, Lenny White, Chick Corea, Stanley Clarke and Frank Gambale -- perform at Mizner Park Amphitheater on Saturday.

If there’s one thing about Return to Forever that hasn’t changed, it’s that each and every performance is a leap into the unknown.

“That’s the challenge for us night to night, is to find new territory for our songs,” said the jazz-fusion group’s keyboardist, Chick Corea. “It’s been the in-built game for us since Day One. We want to put a new face on a song. It jumps off a cliff, and we don’t know where we’re going to land.”

Corea and the other members of Return to Forever — bassist Stanley Clarke, drummer Lenny White, guitarist Frank Gambale and violinist Jean-Luc Ponty — decided that they’d take that leap again with a tour this year, and the biggest reason was the fans.

Directions, invite a friend, more

“One of the factors that came into play was the sheer amount of requests and questions about the band from fans,” Corea said in a telephone interview. “So I went to Stanley and Lenny about it, and we all decided to do another tour.”

This tour — which also features Zappa Plays Zappa, the tribute to Frank Zappa led by his son, Dweezil — heads to the Mizner Park Amphitheater for a show on Saturday.

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Posted in Boca Raton, Jazz, Music Feature, arts-and-cultureComments (0)

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No critics were paid off for this blog: An explanation of what we do

By Leslie Gray Streeter   |  Album Reviews, Arts and Culture, Concert Reviews, Dining, Music, Music Feature, Pop Shop, Restaurant reviews, columnists, commentary  |  July 26, 2011

We are not these guys. All the time, anyway.

Even before PBPulse.com and its comment pages, we critics here at the Palm Beach Post got critiques – from you. And for the most part, we’re grateful. We want to know when you think we’re not being fair, or that we’re being mean (because sometimes we are. Sometimes deservedly. Sometimes not.)

Your opinion means a lot to us, and we are doing this job for you, to keep you informed and to let you know about things you should either enjoy or avoid.

But…

You knew there was a “but.”

Reviews are opinions. We have them. So do you. “This is a good meal,” or “This is good service” or “This is a sucky concert” are opinions based on our own standards and the facts of those standards. Maybe they aren’t your standards. But it doesn’t mean we’re lying, or stupid, or being paid to hate something (and just who would be paying us to hate something anyway?)

Just because a reporter is not a super fan, or does not always love everything, doesn’t mean that the reporter is biased, paid off or corrupt. Just because a reporter does not agree with you does not mean that they’re wrong. It just means they don’t agree with you, and if you’re a big fan of, say, a restaurant or a pop diva…you’re biased, too. (And the recent suggestion that the reviews on Yelp are never biased is just wrong. You can tell when they’re written by friends and family. Which makes you a great and supportive friend, but a bad source for someone else who just wants a good meal. And that doesn’t help anyone.)
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Posted in Album Reviews, Arts and Culture, Concert Reviews, Dining, Music, Music Feature, Pop Shop, Restaurant reviews, columnists, commentaryComments (4)

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