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In Concert: Dan Hicks brings inimitable style to holiday songs, Bamboo Room

By Jonathan Tully   |  Folk, Live Shows  |  December 15, 2011

There is still a lot Dan Hicks would love to do.

“There’s something I aspired to when I was young – to be a jazz singer,” said Hicks, the longtime singer and bandleader of his group, the Hot Licks. “I’d love to call myself a jazz singer.”

Hicks is best known for his funny, quirky songs that fit everything from jazz to bluegrass and swing to folk into them. He’s been performing since 1959 – and said that if you told that version of himself he was still performing in 2011, including a show Saturday at Lake Worth’s Bamboo Room, he probably would be stunned.

“I would say, ‘Really?’” Hicks said in a telephone interview. “I’d see my name on the schedule of shows, and when I played people show up, and I’d even be selling some records, though it’s hard to judge how that’s going. Now, if you ask me if I’d be performing in the year 2030, well, I’d be about 90, so…”

Directions, invite a friend, buy tickets

Hicks, who just celebrated his 70th birthday, is currently playing a few dates with a more holiday-oriented playlist. While his fans are more used to such songs as “How Can I Miss You When You Won’t Go Away?” and “I Scare Myself”, Hicks said for him, singing holiday songs is nothing new.

“I’ve been doing Christmas tunes for a while now,” he said. “I’ve got another little band in my hometown of Mill Valley (in California), and we get together every year. It’s called the Christmas Jug Band. I got interested in those songs with those guys, and I’ve had that interest all along. A lot of tunes emerged from that. We have quite a repertoire – a song called ‘Someone Stole My Santa Claus Suit’ which I wrote way back when is part of it.”
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Singing surfers play the Speakeasy in Lake Worth

By Janis Fontaine   |  Country, Folk, Music, Music Feature  |  November 21, 2011

William Kimball’s parents raised him to be a free spirit, so it was hardly surprising when he became a professional surfer and began touring the world.

But Kimball’s lifelong love of music has taken him on a new kind of tour: Kimball joined forces with another singing surfer, three time world champion Tom Curren, and their eight-stop Florida tour lands at the Speakeasy in Lake Worth on Wednesday.

As the story goes, in 1994, Kimball went to see Curren, one of his surfing heroes, perform in Pompano Beach. Whether he just jumped on stage or was invited is in dispute. What isn’t is this: Kimball closed the show with Curren, and boarded Curren’s tour bus the next day as a member of the band.

That kind of course correction would be impossible for many of us. But for Kimball, a kid who had tremendous personal freedom and unwavering support since childhood, the life of a modern day vagabond seemed perfectly natural.

“My father is the reason I am who I am,” Kimball said by phone from Orlando about his father, Terry Kimball of Jupiter. “He got me interested in surfing and diving at a young age, and he gave me my first guitar. He always encouraged me to follow the things I was passionate about. I was fortunate to have parents that said ‘Go for it.’”

His love of music came mostly from his mother, Nina Kimball of Juno Beach.
“My mom would always sing to the radio in the car,” Kimball said. “I used to lean forward from the backseat so I could hear her. Her voice was so good she could have had a career as a singer, but she put it all aside to bring up us kids.”

So it was natural that some of Kimball’s musical influences — Cat Stevens, Simon and Garfunkel, Peter, Paul and Mary — come from that era when his mother chose what got played on the car radio. Later, Kimball would discover his own vocal heroes.

“I learned how to sing from The Police Outlandos d’Amour. I’d sing it over and over again. Then, Queen and Ozzy Osborne. A weird mix. But classical music inspired me too: Mozart, Haydn, Brahms.”

Growing up near the beach, Kimball fell in love with the ocean early. “We were 7 or 8 years old, out on our bikes riding around all day. We’d catch all our own food, crab and sand perch, and cook it outside. We’d camp out for the weekend.” He made up his first song — Fred the Frog on the Log — around that age, but he was 19 before he wrote his first serious song.

Kimball continued playing music, bouncing around stylistically from rock to rap to punk, but in private, he was writing songs he calls his “songs at the end of the bed.” They’re the songs he wrote for himself, to make sense of the things on his mind. Kimball never planned to sing those songs in public, but a friend heard them and convinced him to get them out there. So, Kimball, now 41, released Along for the Ride, in September, with 11 songs at the end of the bed. Now that they’re out, they seem to have their own momentum.

This summer, Kimball found himself in Martha’s Vineyard, Mass., playing music in Carly Simon’s barn with Simon and Ben Taylor, Simon’s son with James Taylor. When Simon played Kimball’s song Sorry to him, he marveled at the legs his music had grown. Then, he got a call asking if they could use the title cut in the Sarah Jessica Parker movie, I Don’t Know How She Does It.

“Just another one of those things,” Kimball said. “It’s crazy. They got a hold of the CD and they liked the music.”

The music is homespun and sweet, acoustic and guitar-driven, lyrical and introspective. “I’ve had people say, I can’t quite call you country, but I can feel what’s being said, like a country song.”

The similarity is more that both Kimball and country music draw from the same pool: the folk/pop singer songwriters of the ‘60s and ‘70s — James Taylor, Jackson Browne, Elton John, Dan Fogelberg, even the Beatles.  

“I start with a melody,” Kimball explains. “I’ll play the music and all of the sudden I’ll hear something and I’ll just sing whatever comes out. It’s like painting with a brush that’s just doing its own thing. I’m fortunate enough to have an open channel I can tune into, and these words, I don’t know where they come from, just come. They’re personal and they’re from me, but they’re not about me.”

Kimball is nothing if not modest, so he finds it out of character to talk about himself, but otherwise the life of a musician suits him. But some things take a little getting used to. “The craziest thing about it might be that people want my autograph!”

If you go:
Tom Curren with special guest William Kimball
When: 10 p.m. Wednesday, Nov. 23
Where: Speakeasy Lounge, 129 N. Federal Hwy, Lake Worth
Info: (561) 791-6242; speakeasylakeworth.com.

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SunFest wrap-up: My 2011 report card!

By Leslie Gray Streeter   |  Blues, Breaking news, Concert Reviews, Dance, Events, Folk, Jazz, Latin, Live Shows, Local music, Music, Music Feature, Music News, Pop, Pop Shop, R&B, Rap, Reggae, Rock, SunFest, Swing, World  |  May 02, 2011

Hey, SunFesters! I’ll keep this as brief as possible, because if you were at every or almost every day of this year’s SunFest like I was, you’re probably exhausted and don’t have a lot of patience for the words and the comprehension and such.

I enjoyed this year’s SunFest. Was it my favorite of the eight I’ve attended? No. Was it the worst? Not even close. All in all, it’s still an amazing value for the money – there is nowhere else where I could’ve seen Earth Wind and Fire and Jeff Beck down the street from each other for under 40 bucks. I probably couldn’t have seen even one of those acts for that price. And yeah, so the parking and the food is expensive. Where isn’t it? Park and walk, y’all. Eat first. Get hand-stamped, go outside to eat and come back. No one is tying you to the gyro stand with a bungee cord and a hot poker.

I also don’t get people who say “It’s a scam.” It’s costly, depending on how you do it. But a scam is when you pay money for something and get bait and switched. You paid for a bunch of shows that you had the schedule for, so it couldn’t have been a surprise to you. You went to those shows or you didn’t. You didn’t pay for Jeff Beck and get his cousin Joe Beck.  You weren’t scammed. You had a good time or a disappointing one. But I don’t get how anyone was scammed.

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Posted in Blues, Breaking news, Concert Reviews, Dance, Events, Folk, Jazz, Latin, Live Shows, Local music, Music, Music Feature, Music News, Pop, Pop Shop, R&B, Rap, Reggae, Rock, SunFest, Swing, WorldComments (5)

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Aussie Ry Cuming’s talent far outshines tiny FAU venue

By Veda Jo Jenkins   |  Folk, Live Shows, Pop  |  March 30, 2011

Ry Cuming was a giving, superb performer who showed he deserves to play much bigger venues than an FAU cafeteria. (Veda Jo Jenkins / sflimages.com)

I want to see him again. But this time give the man his due and let him play in a venue that at least matches his talent.

Ry Cuming closed his eyes and tuned out the sounds of the cafeteria. Yes, I said cafeteria.

After the rain Tuesday moved his performance from the Owl Pavilion indoors to Coyote Jacks on the FAU campus in Boca Raton, Cuming and his piano player Jens Kuross had to take it in stride. Playing in Coyote Jacks was an insult. Sounds of food cooking and basketball playing on the T.V. didn’t keep Cuming from being the gentleman he is, thanking the small crowd for clapping after each and every song.

Cuming is not just some guy with a guitar. He toured last year with Maroon 5 and Sara Bareilles and will be re uniting with them in Australia in May. In the meantime he has been out on his own playing smaller venues.
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Dates set for 2011 Newport folk and jazz festivals

By Associated Press   |  Folk, Jazz, Music News  |  October 26, 2010

Organizers have announced dates for next year’s Newport folk and jazz festivals in Rhode Island.

The folk festival will be held from July 29 to July 31, and the jazz festival is scheduled to take place the following weekend, Aug. 5 to Aug. 7. Lineups haven’t been announced.

The festivals each started more than 50 years ago and are among the most celebrated annual concerts in the country.

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Cabaret singer Susan Reed dies at 84

By Associated Press   |  Deaths, Folk  |  April 30, 2010

In this June 1949 file photo, singer Susan Reed is seen in New Orleans. (AP Photo/File)

In this June 1949 file photo, singer Susan Reed is seen in New Orleans. (AP Photo/File)

Susan Reed, the cabaret singer whom Life magazine saluted in a 1955 cover story as the leading lady of the folk music era, has died. She was 84.

The singer, who regularly performed at Carnegie Hall in New York and the Wilshire Ebell Theatre in Los Angeles, died Sunday of natural causes at her nursing home in Greenport, N.Y., publicist Dale Olson said.

Reed also acted alongside Gene Krupa in “Glamour Girl,” and in numerous TV shows including 1952′s “The Firestone Hour.”
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B-Liminal to play at O’Shea’s Pub

By Bill Meredith   |  Bars and Clubs, Events, Folk, Live Shows, Local music, Metal, Pop, Rock  |  March 19, 2010

Jupiter quartet B-Liminal (b-liminal.com) features members of two of the top local bands of the 1990s in vocalist/guitarist/percussionist Bryce Rutkowski (Boxelder) and bassist Max Fraser (Doorway 27). On the CD Shore Culture (Secret 7), the reggae input is even more pronounced than it was with Boxelder, thanks to Rutkowski’s influence and the contributions of guitarist Michael Lyons and drummer Mike Berchtold.

Fraser’s tone and bass lines on the songs Conqueror and Strength prove more integral than they were within the pop/rock of Doorway 27. He introduces the strutting The Picture and energized Choices, both highlights because of the harmonic glue that he, Lyons and Berchtold give Rutkowski to surf over.

See B-Liminal (with Orlando band Junkie Rush, and an acoustic set by former Doorway 27 members Bryan Wohlust and Chris Cartrett) at 8:30 p.m. on March 27 at O’Shea’s Pub, 531 Clematis St., West Palm Beach (561-833-3865).

Miami pop/rock band Nothing Rhymes With Orange (nrwo.net) armwrestles between artistry and commerciality on its new CD The Happiness Struggle (Leftfield). Much of that struggle lies with songwriting brothers Carl Almasy Coccaro (vocals) and Rich Coccaro (guitar), but it’s the singer who provides the most dramatics.

On front-loaded prospective singles such as the title track and Offers, Almasy rhymes words with themselves and interjects chants, tricks used more than 40 years ago by singers from Jim Morrison to Robert Plant. Unhappy dirges abound, but the immaculately-produced rocker Escaping Hell features banner work by the brothers, bassist Derek Cruz and drummer Derek Sexton.

See Nothing Rhymes With Orange acoustic at 9 p.m. Saturday at The Living Room, 1709 N. Congress Ave., Boynton Beach (561-742-4399), and electric at 10 p.m. April 2 at Dada, 52 N. Swinton Ave., Delray Beach (561-330-3232).

‘ROUND TOWN

Slammie Productions (slammie. com) founder Jim Hayward, a Palm Beach Post Web producer, will marry guitarist Susan Bartel (The Cichlids, Mad as Birds) this weekend, and their open-to-the-public reception will be a concert featuring reunited 1990s alt-rockers The Holy Terrors, punk era guitarist/vocalist Charlie Pickett, glam-rockers The Freakin’ Hott, and the premiere of Trailer Shark (an area metal supergroup featuring members of Raped Ape, Stillkept, Indorphine, Cyst, Pro-Pain, and Gonemad). It’s at 8:30 p.m. on Saturday at Respectable Street, 518 Clematis St., West Palm Beach ($7, 18-and-older, 561-832-9999). …

An upcoming benefit for Palm Beach County Commission District 2 candidate Paulette Burdick also includes musical reunions. See Gin Weintraub and Andy Stein, formerly of Inhouse; Greg Burdick, Bob Kendall, Gail Darling and Glenn Moody, formerly of the Banyan Street Jug Band; plus the Pickett Sisters; all at 5:30 p.m. March 26 at the Ann Norton Sculpture Garden, 253 Barcelona Road , along Flagler Drive in West Palm Beach ($25, 561-655-9700).

Posted in Bars and Clubs, Events, Folk, Live Shows, Local music, Metal, Pop, RockComments (1)

Sparklehorse singer Mark Linkous takes his own life

By Jonathan Tully   |  Folk, Rock  |  March 07, 2010

Singer-songwriter Mark Linkous, best known for his work with Sparklehorse, has committed suicide, according to Rolling Stone.

Linkous, who also collaborated with Danger Mouse and David Lynch on the album Dark Night of the Soul, was in his forties, Rolling Stone reported. The album was held up due to legal issues with record label EMI, but just this week, Danger Mouse and the label resolved their dispute and agreed to let the project come out as intended.

Linkous’ family released a statement:

“It is with great sadness that we share the news that our dear friend and family member, Mark Linkous, took his own life today. We are thankful for his time with us and will hold him forever in our hearts. May his journey be peaceful, happy and free. There’s a heaven and there’s a star for you.”

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Midlake explores new avenues on ‘Courage’

By Austin Music Source   |  Album Reviews, Folk, Rock  |  February 02, 2010

The artist: Midlake

The album: The Courage of Others (Bella Union)

midlake-thumbThe spin: It’s helpful to consider folk rock band Midlake’s third album, “The Courage of Others,” through the prism of its immediate predecessor, 2006’s “The Trials of Van Occupanther.” That album — a cult favorite that got end-of-the-decade shoutouts from Pitchfork, Rolling Stone and the Onion A.V. Club, among others — evoked endless comparison to the naturalistic ‘70s FM radio rock of America, Neil Young and, above all, Fleetwood Mac.

Though well reviewed at the time of its release, in the ensuing years “The Trials of Van Occupanther” continued to build its audience, as the slow-burning pleasures of its poetic lyricism and front man Tim Smith’s wispy vocals revealed themselves. Put simply, Midlake is a group whose strengths take time to unfold — which makes an initial judgment of “The Courage of Others” misleading, particularly since it’s an even more complex and layered album.

Which is not to say “The Courage of Others” is an inaccessible or vastly different work — but it does march away from the classic rock inspiration so prevalent on “Van Occupanther” in favor of a direction more heavily influenced by ‘60s British folk rock. If Fleetwood Mac was the go-to comparison on the last album, this time around it’s all Jethro Tull — or the Fairport Convention — with near omnipresent flutes and warm waves of harmonies. It’s a sound that’s enchanting, magical, often dour and — at least before it has time to grow on you — a bit repetitive.
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Jason Castro makes his name one mall at a time

By Caitlin Christophel   |  American Idol, Folk, Live Shows, Pop  |  November 11, 2009
Jason Castro performs at the Waterway Cafe in Palm Beach Gardens. (Photo by Caitlin Christophel)

Jason Castro performs at the Waterway Cafe in Palm Beach Gardens. (Photo by Caitlin Christophel)

Jason Castro may have only been third runner up on American Idol’s seventh season, but he is certainly making a name for himself now during his mall tour across the U.S.

Castro is promoting his new self-titled debut album which will be available Jan. 16. The first single, “Let’s Just Fall in Love Again” has become a hit with his ever growing fan base.

On Oct. 29, Castro performed at Waterway Café in Palm Beach Gardens for local radio station Wild 95.5. There, he performed a few songs including his new single, as well as “Hallelujah” which he sang on American Idol.

Castro’s performance felt very personal as he stood onstage alone with just a guitar and microphone.
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