Quiz: How well do you know your movie gangsters?
Public Enemies is one of the most eagerly awaited movies of the summer precisely because it’s not your usual blockbuster. It’s about a real criminal — John Dillinger — and stars two guys who like to go big in movies, but not explosions and special-effects big.
In both men’s cases, the movies they make can be divisive to critics — some thinking that Mann values style too highly over substance, some thinking that Depp can be too much of a caricature, etc.
Public Enemies scored a 61 at Rotten Tomatoes, and a 71 on Metacritic.
• FilmBlather’s Eugene Novikov called the film ‘one of the most interesting and challenging wide releases of the year’: “(Public Enemies) uses the gangster movie form to say something profound and unexpected about the way we respond to evil.”
• Sean O’Connell of Carolina Weekly says Mann gets wrapped up in the Dillinger hype: “(Mann) is more enamored with the Dillinger myth than with the actual man.”
• Devin Faraci of CHUD (Cinematic Happenings Under Development) says the movie feels like a sequel without a first film: “The movie plays like a rise and fall story (sort of like Soderbergh’s Che, which was split into two halves) but there’s no rise.”
• Lest we forget that Depp’s in the movie, Joe Neumaier of the New York Daily News paints him as the hero of the situation, basically saving things: “Johnny Depp is so compelling and charismatic as John Dillinger, he provides enough firepower to make the film legit.”
Ice Age: Rise of the Dinosaurs: The third in the series about a group of prehistoric animals isn’t exactly getting the kind of strong critical love of animated counterparts such as Up.
It only scores a 35 on Rotten Tomatoes and a 51 on Metacritic.
Keith Phipps of The Onion’s AV Club says the film actually tosses out what made the series special in the first place: “Let other movies have their velociraptors and their T. Rexes — here was a movie happily filled with mammoths and saber-toothed cats. The series kept it going for one more entry, but throws its commitment to the era away with movie number three, a ploy sure to anger Ice Age purists everywhere.”


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