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By Leslie Gray Streeter   |  Glee, TV  |  April 09, 2010

Cory Monteith, Lea Michelle, Matthew Morrison and Jane Lynch return in Fox's 'Glee'. (FOX)

Cory Monteith, Lea Michelle, Matthew Morrison and Jane Lynch return in Fox's 'Glee'. (FOX)

Surely there are some of you who avoided the first season of Fox’s phenomenon Glee because it seemed to feature things that make you itchy — spontaneous singing and choreography, un-ironic smiling teenagers.

Having seen a bit of the second season, which starts Tuesday, I can pretty much guarantee that you’re still going to hate it.

But for anyone won over by the Ryan Murphy-created series about a popularity-challenged but doggedly determined Ohio high school singing group will be pleased that it’s got all of the aforementioned stuff you liked, plus some special surprises — a well-done all-Madonna episode and a return visit from Tony winner Kristen Chenoweth as a boozy former Glee Club member.

It also retains that arch, candy-coated acidity, where a character’s newly discovered self-worth still won’t stop bullies from tossing a neon blue slushie in their face in the hallway.

The slushie-tossing, which became an expected moment last season, is back, along with the show’s basic premise: Well-meaning Glee Club coach Will Schuester (Matthew Morrison) tries to navigate his musical island of misfit teens through various competitions which, if won, ensures they won’t get cut from the school’s budget.

He’s also trying to navigate past lying, scheming, fabulously evil cheerleading coach Sue Sylvester (Jane Lynch), motivated by a hatred for Will and anything that doesn’t further her agenda of world domination. She’ll stoop to pretty much anything, including blackmailing faculty and students alike, and encouraging evil cheerleaders to break up a key Glee Club couple as a way of weakening its core.

Sue and Will are like Wile E. Coyote and the Road Runner, except this time, the coyote wins just enough to make the Road Runner nervous.

Murphy does well to keep that key rivalry intact, but he also corrects some initial missteps.

The foremost is slightly dialing back the screen time, at least in the first few episodes, of over-zealous Glee Clubber Rachel (Lea Michele).

Although the show still focuses on Rachel, her powerful Broadway voice and her not-so-subconscious feeling that this is her glee club, it wisely allows some of the other talented young actors to shine.

Amber Riley, who plays developing diva Mercedes, gets a particularly cheer-worthy moment in the third episode, pulling off a show-stopper with a song I won’t name so as not to ruin its power.

The episode also expands Mercedes beyond the tiresome sassy black girl stereotype.

Those spontaneous singing numbers are still strong, although an episode focusing on songs with the word "Hello" in the title feels a little forced, even for this show.

But there’s plenty to sing about, including a mind-blowing Chenoweth performance of Home, from The Wiz, an electrifying Burt Bacharach medley and a split-screen seduction scene featuring Like a Virgin that joyfully dances on, but doesn’t cross, the boundaries of good taste.

That’s a dance Glee has perfected, and as long as it keeps that rhythm, it’s going to be a joyous season.

T V R E V I E W

GLEE

B+

When: Tuesday,

9:30 p.m.

Channel: Fox

(WFLX-Channel 29)

9 Responses to “Fox’s ‘Glee’ retains its candy-coated acidity”

  1. J says:

    Dialing back Rachel is the worst news I have heard about this season. She is the glee club and what makes the show worth watching.

    I hope Amber pulls off the acting because in the first part she couldn’t handle 3 lines without making me cringe.

  2. Frank says:

    Have to agree less Rachel is less glee. I want the others to have time but just incorporate them better with Rachel.

    Ryan Murphy just said she had the once in a generation voice and to who have this girl in our mist has that great big universal talent.

    So ti seems odd, not to mention her golden globe nomination.

  3. There is still plenty of Rachel to go around, particularly in the first two episodes – it’s just that some other characters, including Mercedes, Kurt and Finn, get more focus. Maybe it won’t last, and these were just special episodes for those characters. But it was nice to see a little of why all those actors are so talented.

    And there was no intentional slight with not mentioning Lea Michele’s Golden Globes nod – I didn’t mention Matthew Morrison or Jane Lynch’s either.

  4. Frank says:

    I didn’t mean it that you slighted her. I was just wondering why they would dial back a golden globe nominated actress.

    I guess Home will be the preggers of the first half.

  5. Carol says:

    I adore listening to Rachel and watching her try to control the club. While I agree others need more air time, it should not be at her expense. Finn needs to be replaced because he no more looks like a high schooler than I do; perhaps he could return as a faculty member. The false pregnancy story is totally BORING and overdone, and the preggers students needs to give birth and let the show go on.

  6. Jane44 says:

    For more GLEE gossip …check out this new (4/6/2010) Q&A session with GLEE Executive Producers Brad Falchuck and Ian Brennan. They dish about the Finn-Rachel-Puck relationship, talk about this seasons musical numbers, guest stars, future casting and more. http://tvtango.com/news/detail/id/188/

  7. John says:

    C’mon — Finn could be a high schooler. In my high school we had enormous football players who started shaving in 7th grade and were full grown men by 10th grade. Every high school has them.

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